Showing posts with label Creative Thinking. Show all posts
Showing posts with label Creative Thinking. Show all posts
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Quotes

-"It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat." — Theodore Roosevelt


-‎"He awoke each morning with the desire to do right, to be a good and meaningful person, to be, as simple as it sounded and as impossible as it actually was, happy. And during the course of each day his heart would descend from his chest into his stomach. By early afternoon he was overcome by the feeling that nothing was right, or nothing was right for him, and by the desire to be alone. By evening he was fulfilled: alone in the magnitude of his grief, alone in his aimless guilt, alone even in his loneliness. I am not sad, he would repeat to himself over and over, I am not sad. As if he might one day convince himself. Or fool himself. Or convince others—the only thing worse than being sad is for others to know that you are sad. I am not sad. I am not sad. Because his life had unlimited potential for happiness, insofar as it was an empty white room. He would fall asleep with his heart at the foot of his bed, like some domesticated animal that was no part of him at all. And each morning he would wake with it again in the cupboard of his rib cage, having become a little heavier, a little weaker, but still pumping. And by the midafternoon he was again overcome with the desire to be somewhere else, someone else, someone else somewhere else. I am not sad." —"Everything is illuminated" (novel).

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Random Facts and Info

  1. Google Is Richer Than the 28 Poorest Countries Combined
  2. "The Manifesto of the Communist Party" Karl Marx and Friedrich Engels was one of the books that screwed up the world for having inspired the most brutal regimes in human history.
  3. "Wiki" in Wikipedia is the Hawaiian word for "fast"
  4. In the early days of film making, people who worked on the sets were called movies. The films were called motion pictures.
  5. Why is there water everywhere but not much to drink?
  6. 13% of people are left-handed, up from 11% a few decades ago. The story that right-handed people live, on average, nine years longer than left-handed people is a myth.
  7. Ernest Vincent Wright’s 1939 novel Gadsby has 50,110 words, none of which contains the letter e.
  8. When anaesthetic was used for the first time in childbirth in 1847, the mother was so amazed and relieved at how painless the birth was that she named her child Anaesthesia.
  9. The famous St. Valentine’s Day Massacre, in which seven Chicago gangsters were gunned down on February 14, 1929, was one of the bloodiest in mob history
  10. In 1859 a solar storm hit the earth (the largest in recorded history). It was caused by massive sunspots and solar flares. It was so intense that auroras were seen around the earth (even in the caribbean) and the ones over the Rocky Mountains were so bright that gold miners thought it was morning. It knocked out the telegraph systems of Europe and North America.
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The Five [Egyptian] Stages of Grief

If you're familiar with psychology studies, those words are not new to you.
Briefly, Kubler-Ross model, or better known as the five stages of grief, is basically a model of coping with death, from the denial stage to the acceptance stage.
The five stages are Denial, Anger, Bargaining, Depression and Acceptance. And to be quite frank here, this model is applicable in our everyday life, though on different levels and scales.

For the past few days I have been meaning to dedicate this blog to some politics, basically to vent some thoughts and reflections and to apply what I know in psychology on the Egyptian society and what we have become in those past few months, or maybe the whole year since the overthrown dictator.
So, let's try to apply this model on the developments of the revolution and the consequences and so on. Let's take for example the ongoing and the never-ending, in my personal view, clashes that happened in the 25th of Feb, 9th of March, 8th of April, 15th of May, 28th of June, 23rd of July, 1st and 3rd of August, 9th of September, 5th and 9th of October, 19th of November and last but probably not least the 16th of December.

Let's start:
  1. Denial: At first when the Police and CSF withdrew from the streets and the army took to the streets to (protect) people, everyone was happy; and you can't really blame people because everyone thought nothing would be worse than Hosni. So when the Army first attacked protesters on the 25th of Feb, everyone denied its happening and here was the first uses of the word thugs to justify any inhumane acts.
  2. Anger: Moving to the 9th of March when the disastrous issue of the virginity tests took place and everyone was angry and furious. And later on when only one courageous lady decided to speak up and defend her rights and sue whoever gave orders and/or did this. Not to mention the ongoing detaining of civilians and throwing them in military prisons. Which never stopped to this day.
  3. Bargaining: Now let's make a deal, we'll appoint Kamal El Ganzoury as a new Prime minister so you people can go home and we'd get this whole thing over with so everyone can sleep at night- despite the innocents' questions about the blood of the martyrs and the beating of the protesters and detainees. Ganzoury is appointed, old people are satisfied because they thought like Shafeek and Sharaf, Ganzoury too should take his chances and we shall wait for him to do an action. [But nothing new ever took place]
  4. Depression: We're close; we've injected the nation with so much depression that hope is almost vanishing and everyone is starting to just whine about their personal experiences and sufferings since this revolution started, but no one is happy because at least now we have a voice. This seems to be coming to an end anyways. Let's just sit home and weep for the martyrs and the economical conditions of the country, and wait. I'm obliged to mention here that when the internet and phone services were cut off, the government made a huge move that caused it the loss of millions of dollars, if not billions. None of the ignorant ever remembers this.
  5. Acceptance: We've made it, by the end of 2011 everyone at home, specifically those who never bothered to go out and join the sit-ins in Tahrir or even the protests, everyone accepted Ganzoury, Tanwaty, the army, SCAF (Supreme Council of Armed Forces). I mean, what can we do? It's just 6 months and we'll have our own president finally, the one that we will vote for, the one that we will choose. Yeah right, because we're dreaming. Let's just accept this and go home.

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Plutchik's Wheel of Emotions


This is a wheel for emotions created by the professor Robert Plutchik, where you can find 8 basic emotions and 8 advanced emotions composed of two basic ones.

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عُقدة الخَواجة -HBBC: 3

.اضغط هنا للتعرّف على بقية الأعضاء

. الخواجة المتعقد : موضوع من إختيار الأخت الكريمة مروة

الأسبوع اللي فات و إحنا قاعدين بنفطر في الشغل.. طبعاً لازم السياسة تدخل مع كل حتة جبنة في الزور ، مديري قال جملة ، أو وجهة نظر بعض الناس بتقولها مؤخراً عن الثورات العربية ، أنا عن نفسي مقتنعتش بيها بس حسيتها منطقية إلى حدٍ ما ، على الرغم من إنها مبالغ في تقديرها.. وجهة النظر تأتي كالآتي : بعض الناس شايفة إن الثورات العربية الحالية ما هي إلا مؤامرة من أمريكا و دول العالم الأول للثورة على الديكتاتوريين و تحرر الشعوب بأنفسها لتتحول فيما بعد إلى دول علمانية لا دينية تنسى الهوية الإسلامية و الهوية العربية
بِغض النظر إني لا أتفق مع وجهة النظر دي ، بس معرفش ليه من ساعة ما سمعتها و أنا فعلاً أفكار نظرية المؤامرة مش راضية تطلع من نفوخ أمي

أولاً كده ، أنا هربط صلة بين اللي قلته دا و بين عقدة سي الخواجة : أنا بالنسبة لي مبدأ عقدة الخواجة ما هو إلا ناتج من نتائج و أهداف نظرية المؤامرة السحيقة ، بمعنى ، اللي أخدناه دا مش من أجانب برضو ؟ و مش كثير منه من إحتلال برضو ؟ نفس فكرة دول المغرب العربي اللي مش عارفين يتكلموا لغة عربية صح بسبب الإحتلال الفرنسي ، لكن للأسف الإحتلال الفكري أسوأ بكثير من الإحتلال الواقعي الحقيقي.
عارفين الناس اللي بتقول مبارك عيّشنا في سِلم لمدة ثلاثين سنة و أمريكا و إسرائيل مدخلوش مصر أبداً طول الفترة دي؟ طيب...الكلام دا هرتلة في هرتلة...عشان كلنا عارفين إن أمريكا مش محتاجة تدخل بجيوش عشان تموّتنا ، بس ممكن تدخل فكرياً و تدخّلنا في متاهة خمسين ألف عقدة خواجة : فساد الأخلاق و عدم وجود هوية واضحة للشعب - إحنا بجد شعب "كونفيوزد" و مش عارفين نمشي ورا مين ولاّ مين ، بس أهم حاجة...إحنا لازم نمشي ورا حد ، لازم نبقى ذيل حد ، مش صح إننا يبقى لينا هويتنا المستقلة ، بس يا سلام لو مشينا وراهم...اللي هما نفسهم اللي "بيقولوا" و مصدر "سمعت كذا"...ولاّ إيه؟

المهم إن نظرية المؤامرة بتلعب دورها داخلياً بشكل قذر ، إزاي؟ هتلاقي أبسط حاجة في محلات الملابس..الهدوم الطويلة و الجيبات إبتدت تتلاشى و تنعدم من السوق. التيشرتات الي بِكُم إبتدت تبقى ظاهرة نادرة أو غير موجودة من أساسه
نيجي على لحظة دخول المحال : إنتَ يا إما هتسمعلك أغنية مصري سيس من بتوع إسمو إيه دا اللي كلنا عارفينه ، أو أغنية إنجليزي سيس فحت برضو ، أو أسبانية أو فرنساوية أو ما إلا غيره ، بس في الغالب بتبقى سلو- على الرغم من إني مسمعتش الأخيرة دي كتير
علامة "صنع في" : التجار يقولولك دا تركي أو إيطالي أصلي يا فندم، وهو محصّلش إنتاج أوسخ حتة فيكي يا مصر ، طب بالنسبة للكواليتي؟ مالاحظتوش أن محلات الماركات بنلاقي فيها حاجة كده زي بواقي البضاعة؟ يعني مش إحتلال فكري و نظريات مؤامرة بس ، لأ و كمان عامليننا زبالة العالم!
و الأنيل و الأضلّ إن الناس بتحب الخامات الرديئة دي لمجرد إننا مجبرين ، و بتشوف أسعارها هايلة ، و يا سلام لو كان فيه تخفيضات على الأسعار ، الدنيا تزقطط في عيون الغلابة اللي مستحوذ عليهم فكر عمره ما هيسيبهم طالما إنهم قابلينه أصلاً

خلاصة الكلام ، تحرر الشعوب مش من برة ، و مش بس من تغيير أنظمة ، عشان مينفعش نغيّر و منتغيّرش ، دا إسمه تخلف فكري و تراجع دولة مش بناء دولة. فبما إننا في وضع ثورات و كده..ممكن نثور على هويتنا ، قصدي هويتهم ، و نبني إحنا هويتنا من أول و جديد؟

! بس كده
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Art and Artists are two different things!

"This is a post from deep within"

I often wonder about the conclusion or the consequence I will get from writing all those thoughts down on my blogs. I often confuse writing my own thoughts with writing thoughts that would address humanity in a way that is unforgettable, with feelings that are palpable and words that are thinkable. I never got to experience the importance of my writings two years from today; every word was a mere consolation to my own struggles, or shall I say, simple experiences.
I think the first thing that tugs every artist into that precise kind of art is the self-struggle they are put through along the phases of their lives. There is always a need to run away from everything, to find shelter and a beautiful escape into something - and then the escape becomes the addiction, the habit, the talent. Everything then takes a path that we all know: casual pieces (either in music, writing, painting or drawing..etc) that are shared only on a personal level. And then things go step by step until you find yourself unable to be extremely happy UNLESS you're doing your own special art. It's a cure, but only if you know perfectly well how to take advantage of that.
Then you get to a point where you suffer with your incapability to create -- another phase of life probably interferes with your artistic thoughts, and then you either become numb, or you become so miserably exhausted from all the attempts that are left on your desktop or your folder as drafts. Too many draft. Just too many that you sense failure dragging you downwards, though inwardly, you're hysterically addicted. Still are.
This is the point I need to talk about the most in this article; the point where you start questioning your own talent and whether or not it's doing people any good.
Does your music inspire people to write more purposeful lyrics to be sung?
Do your portraits speak about something beautiful God has created, for people to ponder, deeply?
Do your writings hold ideas that can change the world in a way, or lessons and stories that let people know they are never alone? That we're all in this together and all we need is to understand that our thoughts are just about the same in different minds?
Let's face it, many of us never had these purposes when we started loving that artistic difference within us. Perhaps none of us now thinks they can truly, thoroughly change the world with some mere artistic piece. But you know, you can only achieve what you really believe in. Or say, what you really fight for before death's visit, let's just not be idealistic here.
For now, please remember that your art isn't yours, or let's say it's not yours alone. Your art is for the whole world, even if you think it's awful. The way we have different tastes is the reason why artists are still creating, because some people will loathe them, other people will fall in love.
Please right your purposes if they're wrong, or create them if you only use your art for your own consolation. Please put in mind that your art is an important factor in the lives of others. Compose lovingly. Portray inspiringly. Write wholeheartedly.
On a final note, never forget that you're a great source of inspiration to everyone, even if you don't get to see that. Here is me telling you.

Inspire on!


Image Source

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Changing Education Paradigms - RSA Videos


This is a pretty interesting way of thinking. Gotta watch!

If you want to follow them on youtube
And there's also an iPhone app, it's pretty awesome!
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The pleasure of the drunk

"Write drunk; edit sober" -Ernest Hemingway.

Inspiration is my warrior of light!
I've never been so inspired. It feels like I'm colored with all the colors that exist in our world and in different worlds. Like I'm walking through every thought I once abandoned and put on the shelf like an old book. Inspiration is like the hand that wipes the dust off abandoned books and cleans the shelf. The hand that takes yours and leads you to a path where everything is possible, where imagination is the air you breathe and words are the water you drink. Where ideas are palpable and every little thing triggers you to write.
It makes you walk down the street looking at everything just differently, not how your eyes perceive them on daily basis. You write poems on smiles, compose songs on laughs, draw the world on hope, and paint the sky on hand touches. It makes you so vulnerable to falling in love, in love with just anything and everything; the simplest things you would've never thought of. Moreover, it is your light to appreciate even the ugliest things, for their entity could one day be an inspiration to you, or any drunk-on-inspiration artist.
And then, you ponder. You realize that a look is a constellation, a tree is a haiku piece, sunset is love song, winter is Neruda and summer is Shakur. You get that you, mind, body, soul and heart are the element of what your imagination perceives. And your muse is your addiction.
And I'm addicted. I'm addicted to that imagination that makes me so weak before the pages of my notebook and the spaces on my blog. I'm addicted to words, to the laughs, to smiles, the sky, the sundown and sunrise, to strangers and friends, to colors and seasons, to darkness and light. I just can't get enough.
And finally that I'm drunk, I don't want to be sober ever again. It's a pleasure to be addicted.























P.S Neruda is Pablo Neruda, and Shakur is Tupac Shakur. Both poets of passion.
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Able Was I!

I found this to be pretty damn smart!


One French Republican, by writing and analyzing, has produced the following:–












Which, being arranged in the form of a sentence, gives,

"Napoleon on o leon leon eon apoleon poleon"–which is the Greek for

"Napoleon, being the lion of the people, was marching on, destroying the cities!"

– Appleton Morgan, Macaronic Poetry, 1872

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The 4 Roles You Need to Play to be Fully Creative

A little bit long, but enjoyable for artists =) you can check a few points, but do read even a small part of it.


Do you want to be fully creative? To not only have wild ideas, but to actually create and bring remarkable things to life?

There are four distinct roles to be performed for the creative process to be as effective as possible. Each one requires that you play different characters, with different mindsets and skills.

The roles are: Explorer, Artist, Judge and Warrior.

Learn how they help unleash your creativity and how to master the skills each one requires.

1. The Explorer

Ideas do not come out of the blue. In order to build them you first need to gather the raw materials: facts, concepts, experiences, knowledge, feelings — that’s what ideas are made of. To get all of that, you need an attitude of ongoing curiosity and exploration.

The Explorer is always in search of new things. He is relentlessly curious and never limits himself to a particular area of experience and knowledge. To have ideas is to connect dots. First and foremost you need lots of dots to connect — you need fuel for the formation of new ideas.

How to Develop Your Explorer

  • Be curious and alert. Poke around in unknown areas. Be like a child, by paying attention to the world and being receptive to it. Rediscover the fun in finding things out.

  • Seek out as many inputs as possible. Do not limit yourself to the tried and true. Read different books and see different movies from the ones you like. Also, don’t mind going after information “you’ll never use”. Seek many different areas of knowledge.

  • Talk to a lot of different people. Get to know many different perspectives. Talk to strangers. Don’t limit yourself to expert advice.

2. The Artist

The artist has ideas. He takes the raw materials from the Explorer and combines them in novel ways.

When people say someone’s “creative”, they’re usually referring to the Artist. The Artist has ideas mostly by trying new things. He applies his imagination by rearranging, turning things upside down, stirring things up. He pursues different approaches and finds unexpected connections. He’s playful; he doesn’t care about what people expect from him.

How to Develop Your Artist

  • Flex your idea muscles. Write down new ideas as they come to you; it stimulates your brain to generate more and more ideas. Also, use idea-generation tools deliberately: Lists of 100, Idea Quota and SCAMPER just to name a few.

  • Play! We all know it: the most efficient way to have new ideas is by having fun. Don’t always take problems too seriously. Entertain yourself and keep your brain fresh and ready.

  • Use your imagination. Leave practicality aside; don’t be afraid to let your imagination run wild and visualize new possibilities. Dare to ask ‘what if’ and watch new realities unfold.

3. The Judge

The Judge is all about “getting real”. His job is to analyze the Artist’s wild ideas and assess if they’re practical — in the real world.

The judge questions assumptions; he compares and analyzes. He checks how feasible ideas are. No matter how much the Artist loves an idea, the Judge looks for counterarguments, checks evidence, and makes hard decisions. Combining gut feeling and analytical tools, the judge must only let through feasible ideas.

The Judge gets a bad reputation — but only because people usually invoke him too early. Killing an idea before the Artist can play with it is a pity; killing it later is oftentimes a necessity.

How to Develop Your Judge

  • Develop critical thinking. Check your assumptions, experimenting with hypotheses, analyzing results and drawing conclusions. Master decision making.

  • Be aware of thinking traps. Our minds deceive us. Be always aware and vigilant of your own biases. There are more ways than you can imagine that your thinking can go wrong. Really.

  • Be real. Will the idea give you the return you want? Do you have the resources to make it happen? Are you willing to put the effort to make it happen? Be practical and down-to-earth.

4. The Warrior

As soon as you have an idea ready to be executed you’ll realize the world isn’t set up to accommodate every new idea that comes along. The enemies can be external: competition may be fierce, or people may just don’t “get” your beautiful ideas. Even harder than those, there are more than enough enemies already within you: think resistance, excuses and fear of failure.

The Warrior’s job is to make ideas happen. For that, you’ll need not only a strategy and plan of action but to put in the hours — fight the daily fight.

That means remaining productive, developing the resilience and courage to overcome obstacles and, of course, being able to sell your ideas — whatever’s necessary to materialize them.

How to Develop Your Warrior

  • Overcome resistance. When you create something new, resistance inevitably creeps in. You need to find ways of overcoming procrastination and staying productive day in, day out.

  • Be courageous. In order to make things happen, you’ll need to let go of self-doubt and conquer fear of failure.

  • Market and sell your idea. Are you the only one who thinks your idea is great? Can you convince others of the merits of your idea? If you can’t sell your idea, it won’t get far.

Awareness and Timing are Critical Too

In reality, we all know the path to creativity is not that sequential — explorer-to-artist-to-judge-to-warrior. Usually, there’s a lot of switching back and forth between roles: The Judge may return an idea to the Artist for further development; the Artist may want more data from the Explorer to develop a certain idea, and so on.

This is fine. The main thing is to be aware of which role you’re performing at different points in time. We often get stuck in the Explorer role for too long. Or we may jump the gun and summon our Judge while our Artist is still working his magic. There are so many ways to spend too much or too little time in each role, or to overlap ineffectively.

The lesson is: make sure not only to develop the skill set for each role, but also to play each one at the appropriate time. Be aware of which phase of the creative process you’re in and what you’re trying to accomplish. All roles are equally important: make sure they’re playing well with each other.



--This article is taken from a site called Litemind You should check it out, it's good :)